{\b Mary Elizabeth Coleridge}. {\b Date of Birth}.: 23 September 1861 {\b Date of Death}.: 25 August 1907 {\b Works}. English poet, novelist and essayist. Mary Elizabeth Coleridge published numerous articles in such journals and reviews as the 'Monthly Packet', the 'Monthly Review', the 'Guardian', the 'Cornhill Magazine' and, from 1902 onwards, the 'Times Literary Supplement'. She published the first of her novels, The Seven Sleepers of Ephesus, in 1893. This was followed, three years later, by a book of poems entitled Fancy's Following (1896). Both of these appeared under the pen-name 'Anodos'. Her second novel, an historical romance called The King With Two Faces (1897), appeared under her own name and established her reputation. Two more novels - The Fiery Dawn (1901) and The Lady on the Drawing Room Floor (1906) - and a biographical work, The Life of Holman Hunt (1908), followed. The latter of these, along with a collection of her Poems Old and New (1907) were published posthumously, as were the collections of prose, stories and essays: Nonsequitur (1900) and Gathered Leaves (1910). {\b Featured Works}. 'Furness Abbey', 'Chillingham', 'Street Lanterns', 'Jealousy', "We Were Not Made For Refuges Of Lies", 'High Wind', 'Our Lady', 'Egypt's Might is Tumbled Down'. {\b General Comment}. Mary Elizabeth Coleridge, great-great-niece of Samuel Taylor Coleridge, was educated at home. As the daughter of Arthur Duke Coleridge, a Clerk of the Assizes, and Mary Anne Jameson, she was encouraged to write from an early age. No doubt taking some inspiration from the family heritage, she was also assisted in her endeavours by the poet and friend of her fathers' William Jonson Cory, who took a post as her personal tutor. As a woman in a predominantly male world of publishing, Mary Elizabeth, writing at this time under an assumed name, received the praise of Robert Louis Stevenson for her first novel. Perhaps more importantly, she was also assisted by another Robert, Robert Bridges, who persuaded Oxford University Press to publish a collection of her poems, Fancy's Following (1896). With the pen-name 'Anodos' announcing both her genderless anonymity and evoking the Greek 'anodynon' - meaning that which eases pain or soothes anxiety - Mary Elizabeth would seem to have inherited something both of her great-great-uncle's passion for etymology and his infamous sense of humour. It has also been suggested that certain of the themes of her poetry in particular, the not un-Coleridgean exploration of dream states and of questions of identity, have had some influence upon later, twentieth century, feminist thought. Mary Elizabeth Coleridge never married. Alongside her writing career, she also worked teaching working women both at a Working Women's College and at her own home. She died in Harrogate, Yorkshire, of appendicitis at the age of 45.